What Is Contemporary Art?
什么是当代艺术?
- 专项课程Modern and Contemporary Art and Design现当代艺术与设计第 2 门 · 共 3 门
课程笔记
1 篇Module 01Introduction to What Is Contemporary Art?
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- 01Welcome to the course!
- 02Preview What Is Contemporary Art?
- 03Course instructors respond: what is contemporary art?
- 04First Look: This Course in Three Artworks
- 05Suggestions for making the most of the course
- 06Optional Prompts for Discussion & Reflection
Module 02Media from Television to the Internet
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- 01Introduction to Module 2
- 02Arthur Jafa, APEX, 2013
- 03In the studio with Arthur Jafa
- 04Four approaches to appropriation
- 05How do artists and architects share and circulate images?
- 06Beatriz González on her street posters in Bogotá, 1983
- 07Two interventions in television and architecture
- 08Alfredo Jaar on Lament of the Images, 2002
- 09Dayanita Singh on Museum of Chance, 2013
- 10How are images used to watch and classify us?
- 11Surveilling, seeing, scanning
- 12What do video games and computers have to do with art and design?
- 13Susan Kare on designing the first Mac icons, 1980s
- 14JODI on turning desktop order inside out
- 15Serious games and artificial intelligence
- 16Optional Readings & Resources
Module 03Territories & Transit
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- 01Introduction to Module 3
- 02Transforming the wall with Rael San Fratello
- 03Bouchra Khalili on The Mapping Journey Project, 2008–11
- 04Crossing borders
- 05Mateo López on Travel without Movement, 2008–10
- 06Claiming space
- 07Shellyne Rodriguez on Martin Wong, Stanton near Forsyth Street, 1983
- 08Changing states
- 09IRWIN on NSK Garda, 2002
- 10Sky Hopinka on Jáaji Approx., 2015
- 11Amanda Williams on Color(ed) Theory Suite, 2014–16
- 12Portfolio: Teresa Margolles, Pista de baile (Dance Floor), 2016
- 13Optional Readings & Resources
- 14Optional Mid-course survey
Module 04Materials & Making
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- 01Introduction to Module 4
- 02At the Museum with Sheila Hicks
- 03Liz Deschenes on Tilt/Swing (360º field of vision, version 1), 2009
- 04Film, vinyl, and ultrasonic gel
- 05Sheela Gowda on Of All People, 2011
- 063-D printed architecture with Rael San Fratello
- 07How is contemporary art made?
- 08Lady Pink on Trust visions that don't feature buckets of blood, 1983–84
- 09Building, painting, printing
- 10Glenn Ligon on White #19, 1994
- 11Luther Price, Sorry, 2005–12
- 12Amy Sillman on making and unmaking painting
- 13Labor and work in contemporary art
- 14Interview with Revital Cohen & Tuur Van Balen on 75 Watt, 2013
- 15Anne Teresa De Keersmaeker, Work/Travail/Arbeid, 2017
- 16Optional Readings & Resources
Module 05Agency
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- 01Introduction to Module 5
- 02In New York City with Pope.L
- 03Two artists consider Catherine Opie, Dyke, 1993
- 04Yara Said on the Refugee Flag, 2016
- 05Tania Bruguera on Untitled (Havana, 2000), 2000
- 06Firelei Báez on For Améthyste and Athénaïre (Exiled Muses Beyond Jean Luc Nancy’s Canon), Anacaonas, 2018
- 07Luis Camnitzer on Memorial, 2009
- 08Who speaks?
- 09Nick Cave on Soundsuit, 2011
- 10Lawrence Abu Hamdan, Conflicted Phonemes, 2012
- 11P Staff on Weed Killer, 2017
- 12Taking action
- 13Lorraine O'Grady on Mlle Bourgeoise Noire, 1980–83/2009
- 14Xiao Lu on Dialogue, 1989
- 15Defining and blurring identities through performance
- 16Ralph Borland, Suited for Subversion (Prototype), 2002
- 17Optional Readings & Resources
Module 06Power
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- 01Introduction to Module 6
- 02Instructor Christian Rattemeyer on Mark Lombardi's diagrams of power
- 03What do war and peace have to do with chandeliers and portraits?
- 04Deana Lawson on Nation, 2017
- 05How do artists critique power?
- 06Two responses to abuse of power
- 07Wolfgang Tillmans on Sendeschluss / End of Broadcast I, 2014
- 08Power: sources and resources
- 09Curator Paola Antonelli on Massoud Hassani's Mine Kafon wind-powered deminer, 2011
- 10Outer space to inner earth
- 11Rania Ghosn on After Oil, 2016
- 12Optional Readings & Resources
- 13End-of-course survey
- 14Recordings of live virtual sessions (optional)
- 15MoMA Resources